Only 120 bottles of this incredibly limited release are available worldwide. To celebrate work this special, we selected remnants of a deep and distinguished unpeated 30-year-old single malt, matured in European oak casks, taste tested by Alice and Iain McAlister during Alice’s residency at the distillery. Each of the 120 bottles bears one of Alice’s four ‘Spirit Safe’ paintings, presented in a rigid display box which makes them a fantastic addition to any Campbeltown single malt lover’s whisky shelf or collection.
Thick perfumed floral notes of violet and lavender are intertwined with bracing sea spray.
Freshly sliced green apple and silky honeyed pear are followed by ground ginger spice and dark chocolate.
The finish is long with a roasted sugar sweetness.
Like whisky production, Alice’s technique involves patience, time and experimentation. She uses pencil, watercolour and ink to draw from life, spending a long time observing her surroundings through sight, sound, smell and touch, often waiting for the right moment, drawing similarities with the time and craftsmanship required in whisky-making. Some of her works are completed on-site directly from life and others are developed in the studio into larger-scale artworks.
With a keen curiosity in her natural surroundings, Alice Angus was educated at Glasgow School of Art, later relocating to London. However, she remains forever inspired by the country and splits her time between the two places. Her body of work includes works on paper, video, audio and textiles and ranges from large curatorial, collaborative projects to individual commissions, public artworks, community projects and research. She has undertaken residencies and projects in many places, urban and rural, from Lancaster to the Canadian Arctic.
Like whisky production, Alice’s technique involves patience, time and experimentation. She uses pencil, watercolour and ink to draw from life, spending a long time observing her surroundings through sight, sound, smell and touch, often waiting for the right moment, drawing similarities with the time and craftsmanship required in whisky-making. Some of her works are completed on-site directly from life and others are developed in the studio into larger-scale artworks.
With a keen curiosity in her natural surroundings, Alice Angus was educated at Glasgow School of Art, later relocating to London. However, she remains forever inspired by the country and splits her time between the two places. Her body of work includes works on paper, video, audio and textiles and ranges from large curatorial, collaborative projects to individual commissions, public artworks, community projects and research. She has undertaken residencies and projects in many places, urban and rural, from Lancaster to the Canadian Arctic.
Alice Angus
Artist in Residence
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